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Ludwig van Beethoven on Kunst der Fuge site:
List of pages:
Vocal Canons
See also Canons for piano
MIDI 'Ich kόsse Sie' [2 voices, enigmatic Canon], op. (169) [Hess 250] (1816)
MIDI 'Glaube und hoffe' [4 voices], op. (174) [Hess 254?] (1819)
MIDI 'Glόck, Glόck, zum neuen Jahr!' [3 voices], op. (176) [Hess 256?] (1819)
Sequence by © Mark Zimmer
MIDI 'Signor abate' [3 voices], op. (178) (ca. 1820)
MIDI 'Hoffmann, sei ja kein Hofmann' [2 voices], op. (180) (1820)
MIDI 'O Tobias!' [3 voices], op. (182) (1821)
Sequence by © Fiorella and Armando Orlandi
MIDI 'Te solo adoro' [2 voices], op. (186) (1824)
MIDI 'Ich war hier, Doktor' [4 voices enigmatic Canon], op. (190) (1825)
MIDI 'Ars longa, vita brevis' [5 voices enigmatic Canon], op. (193) (1825)
Sequence by © Mark Zimmer
Canons with no audio:
'In Arm der Liebe ruht sich's wohl' [3 voices] [also Lieder op. 52 n. 3] (1795)
Two Canons [for study], op. (160) (1795)
'Canone a 3 all'unisono', maybe 'O care selve' [3 voices] [from WoO 119?]
Unisono, without text [4 voices]
'Herr Graf, ich komme zu fragen' [3 voices, unisono] (ca. 1797)
'Esel aller Esel' [2 voices, unisono and 1 voice ostinato] (ca. 1801)
Canon from op. (161) to op. (198)
'Ewig dein' [3 voices], op. (161) (1810?)
'Ta ta ta' [4 voices], op. (162) (1812, text c. 1815)
'Kurz ist der Schmerz' [3 voices], op. (163) (1813)
'Freundschaft ist die Quelle wahrer Glόckseligkeit' [3 voices], op. (164) (1814)
'Glόck zum neuen Jahr!' [4 voices], op. (165) (1815)
'Kurz ist der Schmerz' [3 voices], op. (166) (1815)
'Brauchle, Linke' [4 voices, unisono], op. (167) (1815)
'Das Schweigen' [enigmatic Canon] and 'Das Reden' [3 voices], op. (168) (1815-16)
'Ars longa, vita brevis' [enigmatic Canon], op. (170) [Hess 251] (1816)
'Glόck fel'dir vor allem' [4 voices unisono] attribuited to Michael Haydn, op. (171) [Hess 252] (1817)
'Ich bitt'dich, schreib' mir die Es-Skala auf' [3 voices], op. (172) (ca. 1818)
'Hol'euch der Teufel!' [4 voices enigmatic Canon], op. (173) [Hess 253] (1819)
'Sankt Petrus war ein Fels' [3 voices Scherzo-Canon], op. (175) [Hess 255?] (1819)
'Bester Magistrat, Ihr friert' [2 voices, unisono], op. (177) (1819)
'Seiner kaiserlichen Hoheit [...]' [4 voices], op. (179) (1820)
'Gedenket heute an Baden' [4 voices], 'Gehabt euch wohl' [4 voices, unisono], 'Tugend ist kein leerer Name' [3 voices], op. (181) (1819/22)
'Bester Herr Graf, Sie sind ein Schaf!' [4 voices], op. (183) (1823)
'Falstafferl, lass'dich sehen!' [5 voices, unisono], op. (184) (1823)
'Edel sei der Mensch' [6 voices], op. (185) (1823)
'Edel sei der Mensch' [6 voices], op. (185...) other lost version (1823?)
'Schwenke dich ohne Schwδnke!', op. (187) (1825)
'Gott ist eine fesste Burg' [2 voices], op. (188) (1825)
'Doktor, sperrt das Tor dem Tod' [4 voices, unisono], op. (189) (1825)
'Kόhl nicht lau', on B. A. C. H. [3 voices], op. (191) (1825)
'Ars longa, vita brevis' [4 voices enigmatic Canon], op. (192) (1825)
'Si non per portas, per muros' [enigmatic Canon], op. (194) (1825)
'Freu' dich des Lebens' [2 voices], op. (195) (1825)
'Es muss sein' [4 voices Scherzo-Canon], op. (196) (1826)
'Da ist das Werk' [5 voices, unisono], op. (197) (1826)
'Wir irren allesamt (Versφhnungscanon' [2 voices enigmatic Canon], op. (198) (1826)
'Sanct Petrus ist ein Fels' [3 voices] (1820)
'Das Schφne zu dem Guten' [4 voices enigmatic Canon, unisono], op. (203) (1825)
Other canons (?)
See also Canons for piano
MIDI Zwei Kanonentwurfen: Liebe Mich, werter Weissembach, Hess 300 (?)
MIDI Es ist kein Wahness, Hess 301 (?)
MIDI Zweistimmiger Kanon? Uns geht es kannibalisch wohl - Schizze, Hess 302 (?)
MIDI Canon Grossen Dank fur solche Gnade, Hess 303 (?)
MIDI Canon Ich blase der Fagott, Hess 304 (?)
MIDI Gesschlagen ist der Feind - Canon Schizze, Hess 305 (?)
Sequences and studies thanks to Mark Zimmer
Two incompleted Canons dedicated to F. Kuhlau, Hess 308, 309
'Ich bin bereit' [double Fugue] in C major, Hess 282, WoO 201 (1818)
Incompleted Fugue, Hess 315
Other Canons
See also Canons for piano
MIDI Fugue 'Dona nobis pacem' in C major, Hess A 57
Sequence by © Mark Zimmer
MIDI Canon a 4, Hess A 60
MIDI Canon, 'Aehnliches Beispiel', Hess Anh. 61
MIDI Chromatic Canon, Hess A 62
Sequences by © Fiorella and Armando Orlandi
Counterpoint and fugue exercises
See also Canons for piano
Exercises of simple counterpoint [300], Hess 233
MIDI Counterpoint Exercises [original version] (1793)
MIDI Counterpoint Exercises, with Haydn's corrections (1793)
Sequences by © Mark Zimmer
Exercises of difficult counterpoint [125], Hess 234
MIDI Exercises in strict Counterpoint [original version] (1794-95)
MIDI Exercises in strict Counterpoint with Albrechtsberger's corrections (1794-95)
Sequences by © Mark Zimmer
Exercises of counterpoint in a free form [26], Hess 235
MIDI Exercises in free Counterpoint [original version] (1794-95)
MIDI Exercises in free Counterpoint with Albrechtsberger's corrections (1794-95)
Sequences by © Mark Zimmer
Easy Fugues a 2 [18], Hess 236
MIDI Fugue in d minor, Hess 236 no. 1*
MIDI Fugue in e phrygian, Hess 236 no. 2*
MIDI Fugue in F major, Hess 236 no. 3*
MIDI Fugue in B flat major, Hess 236 no. 4*
MIDI Fugue in d minor, Hess 236 no. 5*
MIDI Fugue in e minor, Hess 236 no. 6*
MIDI Fugue in F major, Hess 236 no. 7*
MIDI Fugue in B flat major, Hess 236 no. 8*
MIDI Fugue in C major, Hess 236 no. 9*
MIDI Fugue in e minor, Hess 236 no. 10*
MIDI Fugue in F major, Hess 236 no. 11*
MIDI Fugue in G major, Hess 236 no. 12* (corrected by Albrechtsberger)
Sequences by © Mark Zimmer
Easy Fugues a 3 [7], Hess 237
MIDI Fugue in G major, Hess 237 no. 1
MIDI Fugue in F major, Hess 237 no. 2
MIDI Fugue in e minor, Hess 237 no. 3
MIDI Fugue in d minor, Hess 237 no. 4
MIDI Fugue in B flat major, Hess 237 no. 5
Sequences by © Mark Zimmer
Easy Fugues a 4 [9], Hess 238
MIDI Fugue in e minor, Hess 238 no. 1
MIDI Fugue in d minor, Hess 238 no. 2
MIDI Fugue in C major, Hess 238 no. 3
MIDI Fugue in a minor, Hess 238 no. 4
MIDI Fugue in B flat Major, Hess 238 no. 5
Sequences by © Mark Zimmer
Choral Fugue [3], Hess 239
MIDI Chorale Fugue in F major, Hess 239 no. 1
MIDI Chorale Fugue in d minor, Hess 239 no. 2
MIDI 4 Part Chorale Fugue in G major, Hess 239 no. 3
Sequences by © Mark Zimmer for 'Unheard Beethoven
Double counterpoint Exercises, Hess 240-2
MIDI Two-Voice Exercises in double Counterpoint of the Octave, Hess 240
MIDI Exercises in double Counterpoint of the Octave and a Third, Hess 241
MIDI Exercises in double Counterpoint of the Octave plus a Fifth, Hess 242
Sequences by © Mark Zimmer
Double Fugues a 4 in double counterpoint [5], Hess 243
MIDI Double Fugue in C major, Hess 243 no. 1
MIDI Double Fugue in F major, Hess 243 no. 2
MIDI Double Fugue in C major, Hess 243 no. 3
MIDI Double Fugue in C major, Hess 243 no. 4
MIDI Four-part double Fugue in d minor, Hess 243 no. 5
Sequences by © Mark Zimmer
Triple Fugues a 4 [2], Hess 244
MIDI Four-part Triple Fugue in d minor, Hess 244 no. 1
MIDI Triple Fugue in F major, Hess 244 no. 2
MIDI Fragment fugue Exercise in d minor for string quartet, Hess 245
MIDI Double Fugue for mixed choir a 4 in F major, Hess 246
Sequences by © Mark Zimmer
Other fragmented Fugues
See also Canons for piano
Fugue from the Quintet in d minor [Adagio, Allegro, Prelude to a Fugue [not written], fragment Moviment] (1817)
Transcriptions
Transcription of the J. S. Bach's Fugue in h minor from the Well-tempered Clavier I for 2 violins, viola and 2 cello, Hess 38 [there is also a fragmented version for string
quartet, Hess 35]
Transcription of a Fugue from the 'Salomon' Ouverture by Georg Friedrich Handel for string quartet [not Published], Hess 36
Transcription of the Fugue K 426 by Wolfgang Amadeus Mozart, Hess 37
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