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Johann Sebastian Bach on Kunst der Fuge site:
List of pages:
- Various*
* Until to BWV 525, from 1041 to 1071.
Einige canonische Verδnderungen όber das Weynacht Lied [...], BWV 769 [see here]
Clavier άbung [IV] bestehend in einer ARIA mit verschiedenen [30] Verδnderungen (1741-1745) [Goldbergs Aria and 30 Variations], BWV 988. See in the Bach's harpsichord page.
MIDI Canon Trias Harmonica (a 8 v.), BWV 1072
MIDI Canon perpetuus a 4 v., BWV 1073
MIDI Canon a 4 v., BWV 1074
MIDI Canon a 4 v., BWV 1074i
MIDI Canon perpetuus a 2 v., BWV 1075
MIDI The [famous] Canon triplex a 6 v., BWV 1076
See the picture at the top of the page.
In reality that Canon has an incredible number of solutions [480?]!
MIDI Canon doppio sopril Soggetto, BWV 1077
MIDI Canon super Fa Mi a 7 post Tempus Musicum, BWV 1078
MIDI Canon Concordia discors a 2 v., BWV 1086
MIDI Verschiedene Canones over the first eight bass notes of the Goldberg Variationen (ca. 1742-46), BWV 1087
Sequences by © Dave J. Grossman
The Musicalisches Opfer (A musical Offering / L'Offerta Musicale, 1747) for klavier, flute, violin(s) and basso continuo, BWV 1079
MIDI A musical Offering [complete - I part]
MIDI A musical Offering [complete - II part]
Chamber music collection by (cc) HarfeSoft.de
Separated movements:
MIDI Ricercare a 3
MIDI Canon perpetuus a 2 super thema regium*
MIDI Canon a 2 [per motum contrarium]*
MIDI Canon a 2 [violini in unisono]*
MIDI Canon a 2 per motum contrarium*
MIDI Canon a 2 per augmentationem, contrario motu
MIDI A 2 per toni
MIDI Fuga canonica in Epidiapente
MIDI Ricercare a 6
MIDI Canon a 2. Quarendo invenietis. Solution A
MIDI Canon a 2. Quarendo invenietis. Solution B
MIDI Canon a 2. Quarendo invenietis. Solution C
MIDI Canon a 2. Quarendo invenietis. Solution D
MIDI Canon a 4
Trio
MIDI 1. Largo
MIDI 2. Allegro
MIDI 3. Andante
MIDI 4. Allegro
Sequences by Unknown. MIDI marked by * are revised by © Dave J. Grossman
Autograph cover by J. S. Bach of A musical Offering (1747)
Die Kunst der Fuge, Herrn Johann Sebastian Bach, ehemahligen Capellmeister und Musikdirector zu Leipzig (The Art of the Fugue / LArte della Fuga, from 1740? or 45? to 1949? or 50?), BWV 1080
Subscribers may have the complete score in a new typesetting (no scanning) PDF / A4
MIDI The Art of the Fugue [complete - I part]
MIDI The Art of the Fugue [complete - II part]
Chamber music collection by (cc) HarfeSoft.de
Die Kunst der Fuge / The Art of the Fugue / L'Arte della Fuga
MIDI Contrapunctus I a 4
MIDI Contrapunctus II a 4
MIDI Contrapunctus III a 4
MIDI Contrapunctus IV a 4
MIDI Contrapunctus V a 4
MIDI Contrapunctus VI a 4 in Stylo Francese
MIDI Contrapunctus VII a 4 per Augment[ationem] et Diminut[ionem]
MIDI Contrapunctus VIII a 3
MIDI Canon per Augmentationem in Contrario Motu
MIDI Contrapunctus IX a 4 alla Duodecima
MIDI Canon alla Decima. Contrapunto alla Terza
MIDI Canon alla Duodecima in Contrapunto alla Quinta
MIDI Contrapunctus X a 4 alla Decima
MIDI Canon alla Ottava
MIDI Contrapunctus XI a 4
MIDI Contrapunctus Rectus XII a 4
MIDI Contrapunctus Inversus XII a 4
MIDI Contrapunctus Rectus XIII a 3
MIDI Contrapunctus Inversus XIII a 3
MIDI Contrapunctus XIX. Fuga a 3 soggetti
Sequences (* Director Musices version) by Mutopia Project
Sheet music (PDF) available for subscribers!
Die Kunst der Fuge / The Art of the Fugue / L'Arte della Fuga
Four simple Fugues:
MIDI Contrapunctus I a 4
MIDI Contrapunctus II a 4
MIDI Contrapunctus III a 4
MIDI Contrapunctus IV a 4
V-VII. Three counterfugues:
MIDI Contrapunctus V a 4 [Normal fugue]
MIDI Contrapunctus VI a 4 in Stile francese [Fugue with diminution]
MIDI Contrapunctus VII a 4 per Augment[ationem] et Diminut[ionem]
VIII-XI. Double and Triple Fugues:
MIDI Contrapunctus VIII a 3 [Triple Fugue]
MIDI Contrapunctus IX a 4 alla Duodecima [Double Fugue in double counterpoint at the twelth]
MIDI Contrapunctus X a 4 alla Decima [Double Fugue in double counterpoint at the tenth]
MIDI Contrapunctus XI a 4 [Triple (quadruple) Fugue]
XII-XV. Canons:
MIDI Contrapunctus XII. Canon alla Ottava
MIDI Contrapunctus XIII. Canon alla Duodecima in Contrapunto alla Quinta
MIDI Contrapunctus XIV. Canon alla Decima. Contrapunto alla Terza
MIDI Contrapunctus XV. Canon per Augmentationem in Contrario Motu
XVI-XVIII. Mirror fugues:
MIDI MIDI Contrapunctus XVI. A 4.*)
MIDI MIDI Contrapunctus XVII. Fuga a 2 Clav. (rectus); Alio modo Fuga a 2 Clav. (inversus).*)
MIDI MIDI Contrapunctus XVIII. [No title. Rectus, Inversus] *)
*) NB. Rectus und Inversus getrennt zu spielen! (In the autoghaph ed.)
XVI-XVIII. Final (quadruple?) Fugue:
MIDI Contrapunctus XIX. Fuga a 3 soggetti [4?] **)
**) NB. άber dieser Fuge, who der Nahme B.A.C.H. im Contrasubject angebracht worden, ist der Verfasser gestorben [N.B. While working on this fugue, where the name B.A.C.H. appears in the countersubject, the composer died (in the autograph,
in the hand of C.P.E. Bach)
Sequences (study version) by Alessandro Simonetto
Sheet music (PDF) available for subscribers!
Die Kunst der Fuge / The Art of the Fugue / LArte della Fuga
Four simple Fugues:
MIDI Contrapunctus I a 4
MIDI Contrapunctus II a 4
MIDI Contrapunctus III a 4
MIDI Contrapunctus IV a 4
V-VII. Three counterfugues:
MIDI Contrapunctus V a 4 [Normal fugue]
MIDI Contrapunctus VI a 4 in Stile francese [Fugue with diminution]
MIDI Contrapunctus VII a 4 per Augment[ationem] et Diminut[ionem]
VIII-XI. Double and Triple Fugues:
MIDI Contrapunctus VIII a 3 [Triple Fugue]
MIDI Contrapunctus IX a 4 alla Duodecima [Double Fugue in double counterpoint at the twelth]
MIDI Contrapunctus X a 4 alla Decima [Double Fugue in double counterpoint at the tenth]
MIDI Contrapunctus XI a 4 [Triple (quadruple) Fugue]
XII-XV. Canons:
MIDI Contrapunctus XII. Canon alla Ottava
MIDI Contrapunctus XIII. Canon alla Duodecima in Contrapunto alla Quinta
MIDI Contrapunctus XIV. Canon alla Decima. Contrapunto alla Terza
MIDI Contrapunctus XV. Canon per Augmentationem in Contrario Motu
XVI-XVIII. Mirror fugues:
MIDI MIDI Contrapunctus XVI. A 4.*)
MIDI MIDI Contrapunctus XVII. Fuga a 2 Clav. (rectus); Alio modo Fuga a 2 Clav. (inversus).*)
MIDI MIDI Contrapunctus XVIII. [No title. Rectus, Inversus] *)
*) NB. Rectus und Inversus getrennt zu spielen! (In the autoghaph ed.)
XVI-XVIII. Final (quadruple?) Fugue:
MIDI Contrapunctus XIX. Fuga a 3 soggetti [4?] **)
**) NB. άber dieser Fuge, who der Nahme B.A.C.H. im Contrasubject angebracht worden, ist der Verfasser gestorben [N.B. While working on this fugue, where the name B.A.C.H. appears in the countersubject, the composer died (in the autograph,
in the hand of C.P.E. Bach)
Sequences (* Director Musices version) by Alessandro Simonetto
Sheet music (PDF) available for subscribers!
Cover [reproduction from the autograph by Dover ed.] of The Art of the fugue (1750?)
The Art of the Fugue (part):
XII-XV. Canons:
MIDI Contrapunctus XII. Canon alla Ottava
MIDI Contrapunctus XIII. Canon alla Duodecima in Contrapunto alla Quinta
MIDI Contrapunctus XIV. Canon alla Decima. Contrapunto alla Terza
MIDI Contrapunctus XV. Canon per Augmentationem in Contrario Motu
Live by Alessandro Simonetto, for © Kunst der Fuge / On Classical
Sheet music (PDF) available for subscribers!
The Art of the Fugue [incomplete]:
Four simple Fugues:
MIDI Contrapunctus I
MIDI Contrapunctus II
MIDI Contrapunctus III
MIDI Contrapunctus IV
V-VII. Three counterfugues:
MIDI Contrapunctus V [Normal fugue]
MIDI Contrapunctus VI a 4 in Stile francese [Fugue with diminution]
MIDI Contrapunctus VII a 4 per Augment[ationem] et Diminut[ionem]
VIII-XI. Double and Triple Fugues:
MIDI Contrapunctus VIII a 3 [Triple Fugue]
MIDI Contrapunctus IX a 4 alla Duodecima [Double Fugue in double counterpoint at the twelth]
MIDI Contrapunctus X a 4 alla Decima [Double Fugue in double counterpoint at the tenth]
MIDI Contrapunctus XI a 4 [Triple (quadruple) Fugue]
Sequence by © John MacLean. All rights reserved!
Sheet music (PDF) available for subscribers!
The Art of the Fugue [selection]:
MIDI Contrapuncti 3-6-9-10a-11 + Fuga a 2 Claviers
MIDI Contrapuncti Alio moda Fuga a 2. Clav. followed by Toveys Contrapunctus 14 (1931)
Sequence by © James Karageanes
Sheet music (PDF) available for subscribers!
MIDI Choral: Wenn wir in hφchsten Nφthen sein]
Sequence (bad quality) by © unknown Author
About the Art of Fugue you may also read:
An enigma resolved: the Bach's Art of the Fugue by David Peat (on Hans-Eberhard Dentler)
Introduction to the Art of Fugue by Timothy A. Smith
On Bach's Art of the Fugue by John Stone
Glenn Gould Discourses on Fugue: Watch and Learn by John Stone
Search for Sheet music on the Art of Fugue.
* Doubtfull and/or spurious Canons [4]: BWV 1081, 1082, 1084, 1085?
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